Normally, we TMWers are all about the solitary writing life. But we’ve decided to try something new and collaborate a little. Every Friday this month, we’re planning to share a series of special posts where we take turns interviewing each other about our literary and writing lives. This week, Arrietty is interviewing Catdust. (Aka, Catdust is this week’s victim, sacrifice, whatchamacallit…and I didn’t know how to spell that until just now.)
As I suspect is usual in these cases, I posed questions that I wanted answers to, but that I know I would struggle to answer if asked. I hope you enjoy Catdust’s insightful responses.
A: What’s your writing muse? What animal, setting, object, or person inspires you in your writing or often becomes part of your work?
C: Most often, my muse(s) are the people I’m surrounded by, and occasionally events I attend. I’ve written pieces inspired by my family members (“‘’Coon”), college roommates (“How to Get the Guinea Pig”), middle schoolers I was teaching (“Required Statements”), and boyfriend (“Lilies in Water”).
Of course, though “The Wedding Ballad of Lottie and Paul” was based on a real wedding I attended, the evening didn’t end quite so dramatically.
A: What has been the hardest genre to write in?
C: Oddly enough, I’m going to go with “fiction,” broadly. I write a lot of it, but it never ceases being hard. Making dialogue sound natural, and trying to actually write the nuances of tone and gesture is can be a very frustrating endeavor.
Also, to be honest, I have little patience for writing descriptions of things, or places, or appearances – a rather essential aspect of most writing, I know. I’m an admirer of short, powerful descriptions, and live in holy fear of writing unnecessarily flowery or detailed passages, and have yet to master the happy medium to my own satisfaction.
A: If you could have a writing superpower, what would it be?
C: I would love the ability to recreate my witty and dramatic phrasing exactly as it sounded in my head when I was taking a shower (or otherwise unable to write). All inspiration seems to flee as soon as I touch a keyboard.
A: Who were three of your favorite childhood authors? Why?
- Gail Carson Levine. She wrote children’s and young adult fantasy novels. While I of course adored the magical settings, fairy tale trappings, and romance, I also appreciated the strong female leads that appeared in most of her books. I use that phrase, “strong female lead,” very unironically. It was their personalities that made them strong – their cleverness, their kindness, their bravery, their “moral fiber,” to use an old-fashioned expression. For reasons beyond the scope of this discussion, I consider her novel Ella Enchanted to be, well, one of the “most bestest” books ever.
- E.L. Konigsburg. While much of my reading as a young lass rarely varied from the fantasy genre, E.L. Konigsburg could get me to stray off that beaten path. She didn’t write fantasy; she wrote realism, but her novels were fantastic studies of character. The Second Mrs. Giaconda might be the best of them.
- Lloyd Alexander. Though most known (in some circles) for his Chronicles of Prydain, Lloyd Alexander was quite a prolific author, writing several other series and numerous standalone novels. They can be light, humorous works, or deeper, darker stories, but each one has sparkling characters, unique settings, and involving plots. His Westmark trilogy (Westmark, The Kestrel, and The Beggar Queen) is supremely underrated, in my opinion.
A: Have you ever read a book based on its cover? If so, did the book live up to your expectations, or did you become a firm believer in the proverb “don’t judge a book by its cover?”
C: Sometime in my early childhood, I remember being chauffeured around the children’s section of Barnes & Noble, and seeing a cover which intrigued me. It was green, and brown, and gold, and there was a girl holding a sword and facing a grisly dragon – I was looking at the c. 2000 paperback edition of The Hero and the Crown, by Robin McKinley. Right up my alley, or at least, it would be several years later once I requested it from the library. It’s now one of my favorite books.
I like to think I’m a pretty good, if harsh, judge of covers – at least, I can’t think of any time my harsh judgement has steered me too terribly astray. Now, as for all the books that I might have liked, but misjudged, well, let’s not talk about those.
A: What are three pieces of advice you would give other writers based on your personal experience?
C: Don’t get too attached to your writing. Sure, sometimes you write something that you know is good, and other people think so too. But much of the time, people will tell you how much they loved some piddly piece of writing you did, while heaping no praise on that other work you thought was much better.
Don’t wait until the last few hours before a deadline to write something. You may occasionally produce something truly inspired, but more often than not the result will be mediocre and you will not be happy. Please note that I rarely listen to this advice.
Do embrace the potential of “word vomit.” Sometimes just writing something, anything, however horrible it is, is all you need to get those creative gears turning.
A: Is there a writing genre you’ve never tried but always wanted to?
C: Mystery. I admire a well-crafted, suspenseful story, but whenever I’ve brushed the edges of this genre, I’m never satisfied with the outcome – my prose sounds dumb and my clues too obvious. Thus, I’ve avoided writing a full-blown mystery or detective story.
I have a similar problem with romance and horror, but slightly less of a desire to write either.
A: What intimidates you when you’re preparing to write a new project?
C: Having to write “the middle.”
Let me explain: I know how I want the story to start, approximately, and I know how I want the story to end. To be honest, I often have the ending fully-formed. But, in order to get from the beginning to the ending, and to make that ending meaningful, you must slog through the middle, the details of how you got from Point A to Point B…and there’s all that description you have to write. It just takes such a long time to physically write…
…I’m not sure I would have lasted as a writer prior to the invention of the keyboard.
A: What are five books that have really influenced you as a writer?
C: “Influenced” may be too flattering of a word; it may be more like “inspired,” and may not be a good thing. Please also note that this is a slightly different list than “Books that have Influenced Me as a Person,” although there is some overlap.
- 100 Cupboards by N.D. Wilson. The first novel in a trilogy is fantastical in its plot, economical in its story beats, and walks that line of quirky yet realistic dialogue.
- The Last Unicorn by Peter S. Beagle. Absolutely some of the most beautiful writing I have ever read, and not because it’s super flowery or anything like that. Beagle’s command of strategically selected and placed adjectives results in exactly the sort of descriptions I wish I could write, and creates a story that, though other times amusing and other times strange, is ultimately heartrending.
- Spindle’s End by Robin McKinley. This one takes (even more) explaining. Each of Robin McKinley’s books has influenced my writing in some way. I can point to each one and say, oh, this one taught me this, and that one taught me that. And Spindle’s End is actually not my favorite of her books, by a long shot. However, McKinley does always have a tendency to write prose with a lot of parentheticals, meandering sidebars, punctuation-on-top-of-punctuations-and-hyphens-too, and seemingly random tangents for the sake of tangents. It’s less pronounced in her earlier works, but she is in rare form in this novel, which taught me that you can have that many parentheses and that much wandering prose and still be a popular, published author. Thus, I’m including this particular novel on the list to make the point that not all influences are good influences.
- Once Upon a Marigold by Jean Ferris. I think this might have been one of the first real novels I ever read. It’s a fairytale, a comedy, a romance, and introduced me to the idea of really messing with those ol’ fairytale tropes.
- Cheaper by the Dozen by Frank Bunker Gilbreth Jr. and Ernestine Gilbreth Carey. This is a semi-autobiographical novel, not a fantasy story, and I draw upon its sense of comedy every time I write any humorous story about my own life or family.
A: If you could assume the writing voice of an author and write a sequel to a book or series, what book/series would you choose, and why?
C: I’m going to go with my gut reaction on this one, even though I know better. I would assume the writing voice of Dodie Smith and write a sequel to I Capture the Castle. It’s a nearly perfect book, structurally, and really needs no sequel. “It really does end precisely as it should,” I tell myself. And yet…the ending made me so sad. Not because anyone died or some overwrought drama occurred; it’s actually a more light, humorous book. But the truly human emotions present in that bitter, bittersweet final chapter make me want something more every time, even if it is against my better judgement.
Stay tuned for next week’s interview!
Header image: Created by Arrietty