A Roman Wedding in One Act

Cast of Characters:

Silvius—Heir of the house of Valerius, a rich Roman family

Gaius—Friend of Silvius

Aurelius—The paterfamilias of the Aureli home

Jullina—Aurelius’ wife

Aurelia—Aurelius’ daughter

Nomenclature of Aurelius

Act I

Scene 1:  The light of early morning is peeping over the rooftops of the houses that crown the Caelian Hill of Rome, tinging the roofs in gold and the shadows in gray. Clients are already gathering in the vestibulium of the house of Aureli.  Silvius is about to enter when a friend on the street recognizes him.

Gaius:  Good morning, Silvius!  What brings you here?

Silvius:  Some personal business with Aurelius.

Gaius (with a wink):  Not in debt with him, I hope?

Silvius (seriously):  No, I’m here to ask for his daughter in marriage.

Gaius:  Well, you’re a rich, promising gentleman!  You deserve Aurelia, and I bet her father will think the same.  The gods be with you.  Bring your news to the Campus Martius this afternoon.  I’ll be there.  (Silvius looks embarrassed.)  Is anything wrong?

Silvius:  Whenever I have visited Aurelius before, he never seems to remember me!  He always consults his lurking nomenclature when I show my face in the atrium.

Gaius (waving his hand dismissively):  Oh, I doubt he cares what his future son-in-law’s name is as long as it’s that of a rich aristocrat.  Can’t wait to hear your happy announcement!

(Gaius exits, leaving Silvius pacing in the vestibulium.)

 

Scene 2:  Silvius enters the atrium where Aurelius sits with his nomenclature standing next to him.

Aurelius (aside to nomenclature):  Who is that man?  He looks familiar.  Is his name Julius?

Nomenclature:  No, sir.  It’s Silvius Valerius.

Aurelius (sotto voce):  Oh, yes!

Aurelius (aloud):  Silvius, welcome!  What business brings you here?  Not debts, I think!  (laughs heartily, for the Valerius family is famously rich)

Silvius:  I’m here to sign a contract with you.  I would like to marry your daughter Aurelia.

Aurelius:  I could not find a happier choice in a son-in-law.  You have my happy blessing, Julius—

Nomenclature (in an urgent whisper):  Silvius!  His name is Silvius, sir!

Aurelius (turns slightly red and clears his throat):  That is Silvius.  Lapsus linguae!

(Silvius does not appear convinced, but he does look happy as he and Aurelius bid farewell.)

 

Scene 3:  Jullina prepares Aurelia for the wedding.

Jullina:  Today is the day!  The omens are favorable, and all is prepared.  You look beautiful, Aurelia.

Aurelia (smiles):  Thank you, mother.

Jullina (placing the flame-colored wedding veil on Aurelia’s head):  The perfect color for you, my beautiful daughter!

(Jullina and Aurelia embrace affectionately.  The noise in the house grows louder.)

Jullina:  We must go down.  Silvius will be here soon.

(They exit.)

 

Scene 4:  A crowd waits outside Silvius’ new house as Silvius and Aurelia complete the wedding ceremony inside and light their hearthfire.  At last, they emerge into the sunlight, smiling.

Silvius: Thank you for sharing in our joy, friends.

Gaius (yells from the crowd): I was right!

(Silvius smiles and winks at Gaius as everyone else becomes distracted.  Too late, Gaius sees the wedding torch Aurelia tossed.  It knocks him down, but a moment later he pops up, torch in hand and grinning.)

Silvius (mouths to Gaius): You’re next.

Gaius: Hope you’re as right as I was!

(The End.  Curtain falls.)

It’s the Gauls!!

Time seems to be a great sieve, separating the valuable from the trash. This is often true whether one is thinking of music, literature, art, oratory, or architecture: that which lasts the test of time seems to be the great and the magnificent. While certainly not always true, this rule can help with music (think of the greats: Bach, Beethoven, Tchaikovsky) and you will rarely be disappointed. In the realm of art, look for Hokusai, Rembrandt, Michelangelo, and others, and likewise we are rarely left with anything but admiration. I have also found this to be true in the realm of comics (albeit the medium is much younger than the aforementioned). Following this train of thought, I recently began rereading the series “Asterix and Obelix” first published in 1959. Featuring a fearless duo of Gauls who resist Caesar and his Roman army, Volume 1 opens with the friendship of Asterix and his friend Obelix being established, the introduction of the village druid Getafix, the village bard Cacofonix, and many other characters (including Roman legionaries Crismus Bonus and Ginantonicus). Below is a brief introduction to the series I wrote a few years back. Enjoy!

The following is from our sister site: Flint and Bone’s Comic Reviews.

Asterix and Obelix

In the vein of older European comics, which was introduced with Tintin, I now present AsterixAsterix is an entertaining comic series written by R. Goscinny and A. Uderzo. Both men were born in France and published the Asterix stories in French publications. The comics follow (big surprise!) Asterix and his friend Obelix, two Gauls who live in a small village surrounded by Roman legions. They spend their days eating boar, hurling menhirs, smashing Romans, and having many adventures.

Even though the stories were originally published in French, the dialogue is still very clear and witty in translation. The stories make plentiful use of wordplays in the dialogue, and all the names carry some humorous reference to the character of their owners.  Asterix is largely character driven, and the interplay of personalities in the different situations is always humorous to read. The stories provide a good mix of wit, both historical and mythological settings, and an ancient Roman cast of characters to continually keep the adventures  interesting.

Not only are the dialogue and stories well done, but the comics are also splendidly made from a visual standpoint.  The panels are laid out in a grid pattern and are easy to follow. The artwork is very clear and well rendered, and Uderzo does an excellent job of exaggeration in his art, adding a humor outside of the dialogue.  These factors make the comic very easy to read.  Finally, regarding color, either the comics were originally printed at a very high quality, or the illustrations have been masterfully re-colored. Needless to say, these comic books do not look like they were printed nearly fifty years ago, but are sharp and vibrant.

If you want some humorous, light reading, give Asterix a look. With witty dialogue and stories –accompanied by a superb cartoon style –you can’t go wrong.

Happy Reading!

-flint-